tag:blogger.com,1999:blog-12812898736184449202023-12-12T10:56:12.043-08:00Hindi Cinema FilmsAline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.comBlogger63125tag:blogger.com,1999:blog-1281289873618444920.post-82168511959504854752015-02-01T16:00:00.000-08:002015-03-28T03:26:14.852-07:00TOP 7 FILMS OF 2014<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: inherit;">Aside from the films competing for the next crores milestone at the box office, the year 2014 had a few shiny film pearls appear on screen. It is these that make the audience truly vibrate to the emotions evoked by directors, actors and a good story. Here is our pick:</span><br />
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1. <b><span style="color: #990000;">THE LUNCHBOX</span></b>
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Director: Ritesh Batra </div>
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Cast: Irrfan Khan, Nimrat Kaur, Nawazzudin Siddiqi</div>
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<span style="color: #990000;"><b>The Lunchbox</b></span> is an Indian film that conquered audiences around the world in 2014. With its high octane casting and a subdued approach to matters of the heart, it carried universal appeal and struck gold at many festivals and amid audiences in India too. One word: Unmissable.</div>
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2. <b><span style="color: #990000;">HAIDER</span></b>
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Director: Vishal Bhardwaj </div>
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Cast: Shahid Kapoor, Tabu, Kay Kay Menon, Shraddha Kapoor, Irffan Khan</div>
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Haider is another one-man exploit, with Vishal Bhardwaj at the front of directing, scripting and producing a new adaptation of a Shakespearian drama. Suffering, insanity, right, wrong and jaw-dropping landscapes are the backdrop of a very well shot and emotionally compelling <span style="color: #990000;"><b>Haider</b></span>. </div>
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3. <span style="color: #990000;"><b>QUEEN</b></span></div>
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<span style="color: green;"><b></b></span>Director: Vikas Bahl, </div>
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Cast: Kangna Ranuat, Lisa Haydon</div>
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Who does not feel for Rani, an innocent girl from Delhi, when she is shoved aside by a heartless groom? The tale that follows her evolution after heartbreak is empowering and inspirational. Every girl, but also every boy, should make a point to watch this. In the end, it is more than just a chick flick. It is a tribute to human resilience that does not take itself too seriously, therein its timeless charm.</div>
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4. <b><span style="color: #990000;">ANKHON DEKHI</span></b></div>
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<span style="color: green;"><b></b></span>Director: Rajat Kapoor</div>
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Cast: Sanjay Mishra, Namit Das</div>
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Aankhon Dekhi honors critical thinking at the same time pinpoints its ridiculous pitfalls. The wise Bauji asks relevant questions and brings change into an otherwise peaceful mini-society, inviting the audience to rethink their existence.
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5. <span style="color: #990000;"><b>FILMISTAAN</b></span></div>
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<b><span style="color: green;"></span></b>Director: Nitin Kakkar
Cast: Shabir Ahmed, Inaam Ul Haq
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When people who claim to be from fundamentally different backgrounds discover they are in reality much more alike than they would like to think, the setting is right for intelligent comedy. Based on the relationship between Hindi speakers on both sides of the Indo-Pakistani border and their common love for cinema, Filmistaan is an opportunity to embrace that every human being is fundamentally equal. </div>
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6. <span style="color: #990000;"><b>FINDING FANNY</b><b></b></span></div>
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Director: Homi Adajania
Cast: Naseeruddin Shah, Deepika Padukone, Pankaj Kapoor, Dimple Kapadia, Arjun Kapoor
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Stolen moments in Goa's off-the-beaten-track locations with one thing in mind: recovering lost love. Homi Adajania's <b><span style="color: #990000;">Finding Fanny</span></b> is a tale of distinctive characters and experiences. The cast, the images, the music result in a journey that is one of a kind.</div>
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7. <span style="color: #990000;"><b>DEDH ISHQIYA</b></span></div>
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<b><span style="color: green;"></span></b>Director: Abhishek Chaubey
Cast: Naseeruddin Shah, Arshad Warsi, Madhuri Dixit, Huma Qureshi
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When tight writing as well as a tried and tested mega-talented cast are put together, one can expect the likes of a film such as <span style="color: #990000;">Dedh Ishqiya </span>despite the fact that most sequels are usually not what garners the most critical acclaim. The film has been ravely reviewed across the board and ingredients such as social critique, action, comedy and romance make it a surefire entertainer.</div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-77617864924836532732014-12-03T23:00:00.000-08:002014-12-08T04:51:11.220-08:00HAPPY JOURNEY: Love Goes for a Spin!<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="color: #990000;">Happy Journey</span></b> is one of those little gems whose scenes one likes to allow our imagination to revisit again and again... A haunting tale whose value slowly permeates the viewer's consciousness for days, weeks or years to come.</div>
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Sachin Kundalkar's film in Marathi explores the life of Niranjan (Atul Kulkarni), whose childhood is filled with a constant outpour of innocent and pure love for his newborn little sister Janaki (Priya Bapat). Time goes by and just as he is growing up and discovering the joys of his first teenage romance, Niranjan's sentimentally rich journey is brutally truncated when his parents suddenly send him off to Dubai to earn money for his family. The result is a growing feeling of abandonment that makes Niranjan a hurt and detached young man who gets easily exasperated with his family obligations. It is this angry man who comes back to his hometown when the family is faced with difficult times. Once in India, his charming sister Janaki (Priya Bapat) will take him on a fantastic trip that will ignite an inner discovery.</div>
<a href="http://hindicinenglish.blogspot.in/2014/12/happy-journey-love-goes-for-spin.html">>> READ MORE </a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-56971424272198954612014-10-01T09:13:00.002-07:002014-10-01T09:13:49.588-07:00MARGARITA WITH A STRAW: Life's Intense Glow<div dir="ltr" style="text-align: left;" trbidi="on">
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A very special film has been all the rage this year at the Toronto Film Festival and has obtained the Network for the Promotion of Asian Cinema Award for Best Asian Film. <span style="color: #990000;">Margarita with a Straw</span> has been rightly called one of the strongest independent films India has produced in recent years. </div>
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<span style="color: #990000;">Margarita With a Straw</span> hails from the talent of Shonali Bose, the film maker who was highly acclaimed for intense dramas, such as <span style="color: #990000;">Amu</span> and <span style="color: #990000;">Chittagong</span>. Her new film might be gathering attention partly because it explores topics that are rare to Indian cinema, such as disability or homosexuality. Nonetheless, the value of the film, which is Bose's most intensely personal project, starring Kalki Koechlin, lies well beyond its novelty. It is the writer and director's (aka Bose's) rare creative poise and humor that give her story a mature hue that is unique to films in India and around the world exploring similar topics, the last one I remember briefly and successfully exploring disability and sexuality being <span style="color: #990000;">Babel</span> (2006) by Gonzalez Iñarritu.</div>
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<a href="http://hindicinenglish.blogspot.in/2014/10/margarita-with-straw-lifes-intense-glow.html">>> READ MORE</a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-19535232553697690802014-04-04T06:18:00.000-07:002014-04-04T06:18:28.340-07:00JAL: A Majestic Tale of Human Truths<div dir="ltr" style="text-align: left;" trbidi="on">
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There must be something truly inspiring and epic about the Great Rann of Kutch in Gujarat. Films that have had scenes filmed in the austere landscape of the area have seen its strange beauty contribute to their trademark image (some examples are <span style="color: #990000;"><b>Lagaan</b></span> or <span style="color: #990000;"><b>Goliyon Ki Raasleela Ram-Leela</b></span>), and <span style="color: #990000;"><b>Jal</b></span> is the next in view.<br />
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A desert child myself, I was immediately drawn to the incredibly vivid cinematography of <b><span style="color: #990000;">Jal</span></b> from the onset, or should I say, from it's very first trailer.<br />
<a href="http://hindicinenglish.blogspot.in/2014/04/jal-majestic-tale-of-human-truths.html">>>READ MORE</a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-16840473871564484372014-03-28T22:57:00.001-07:002014-03-28T22:57:54.281-07:00YOUNGISTAAN: Rule of the Candyfloss Young<div dir="ltr" style="text-align: left;" trbidi="on">
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Election season is ring-a-ringing and the films coming out these last couple of weeks have been bowing to the debate atmosphere. </div>
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<span style="color: #990000;"><b>Youngistaan</b></span> is a film that presents the premise of having India ruled by one of its foreign-educated nationals. It is essentially a love story set in the backdrop of Indian politics. 28 year old game developer Abhimanyu Kaul is a young and independent NRI. He lives in Japan with the love of his life, Anwita Chauhan, a bubbly, passionate and full of life summer intern.
Their happy and content life faces the test of time, when blood ties and the pressure of being born into the first family of India tears a young Abhimanyu between his love for Anwita and a promise made to his dying father, the Prime Minister of India.</div>
<a href="http://hindicinenglish.blogspot.in/2014/03/youngistaan-rule-of-candyfloss-young.html">>>READ MORE</a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-77326690313138325652014-03-07T08:35:00.003-08:002014-03-07T08:35:41.963-08:00Pink Power: QUEEN, GULAAB GANG and GULABI GANG<div dir="ltr" style="text-align: left;" trbidi="on">
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At a moment at which the limelight is turning towards women empowerment and women struggles in the media (<a href="http://hindicinenglish.blogspot.in/2014/03/vidya-balan-and-aamir-khan-women-at.html" target="_blank">see this week's post on celebrating brave women on Indian television</a>), cinema takes part in this offering through documentaries and what this blogger would call "chick flicks with a bang". Whether it is in the form of Kangna Ranaut's layered big screen entertainer <b><span style="color: #990000;">Queen</span></b>, Nishtha Jain's serious documentary <span style="color: #990000;"><b>Gulabi Gang</b></span> or it's Bollywood counterpart <span style="color: #990000;"><b>Gulaab Gang</b></span> (starring divas Juhi Chawla and Madhuri Dixit), women are at the center of the discussion table as International Women's Day approaches.<br />
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Which of these films might be more effective as entertainment while also being socially inspiring? If we had only one film to pick this weekend to celebrate International Women's Day, which would we recommend? Let us briefly gloss through each plot and trailer.
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<a href="http://hindicinenglish.blogspot.in/2014/03/pink-power-queen-gulaab-gang-and-gulabi.html">READ MORE>></a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-29953440862312363692013-12-20T23:36:00.000-08:002014-03-07T08:37:41.605-08:00DHOOM 3 Review: Get Set... Dhoom!<div dir="ltr" style="text-align: left;" trbidi="on">
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A couple of hours drive through the California desert to reach San Diego had this lucky blogger enjoying an early Christmas gift from her best friend: a prepaid ticket for the first day and first show release of Vijay Krishna Acharya’s much anticipated <span style="color: #990000;">Dhoom 3</span>.
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I have a confession to make. I would not say I am an action flick fan (I tend to find the genre a bit soulless) and have often been disappointed with the multiple attempts to achieve Hollywood-like results in Indian films or to create the ”Indian James Bond”. Not only do I believe Indian cinema need not use Western cinema as a measuring stick, but in my humble opinion, these attempts have met little success… probably less due to a lack of budget than to faulty scripts. So before starting this review, I wish to give my sincere applause to Vijay K. Acharya and Aditya Chopra for taking a giant box-office title like <span style="color: #990000;">Dhoom</span> and writing a script with soulful Indian flavor while creating a pretty consistent and entertaining action plot that can appeal to any audience.<br />
<a href="http://hindicinenglish.blogspot.in/2013/12/dhoom-3-review-get-set-dhoom.html">READ MORE>></a> </div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-4731573535383804852013-09-21T20:39:00.000-07:002014-03-07T08:40:09.983-08:00THE LUNCHBOX (DABBA): A Delicacy for the Soul<div dir="ltr" style="text-align: left;" trbidi="on">
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It is certainly a joy when yet another film being hailed as the true flag of Hindi language independent cinema actually delivers in all departments, particularly in terms of performances and script. After having watched a couple of Hindi indie films in the past few years with less-than-enthusiastic reviews to post, I am glad to say Ritesh Batra has finally nailed it. <b><span style="color: #990000;">The Lunchbox</span></b> has India co-producing along with France, Germany and the U.S., giving it all its chances abroad and among Indian audiences looking for honest niche cinema of great quality.<br />
<a href="http://hindicinenglish.blogspot.in/2013/09/the-lunchbox-dabba-delicacy-for-soul.html">READ MORE>></a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-44780552555089686652013-08-17T16:30:00.000-07:002014-03-07T08:44:55.477-08:00ONCE UPON A TIME IN MUMBAAI 2: Of Love and Other Passions<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUMDJR3Rs5GPD4wkCCq-PP4BXcgPkYxjR9AcqDgwi29qX-Q9-YgvTexlknj2keCC-aOLI1sMMkCTKJvxIx87x8lTzODK23rQSuGkAfV1VX-VA0kBaNn_QBfjCAXAf4hWLTkbMxl1jEmd-s/s1600/OUTMD+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUMDJR3Rs5GPD4wkCCq-PP4BXcgPkYxjR9AcqDgwi29qX-Q9-YgvTexlknj2keCC-aOLI1sMMkCTKJvxIx87x8lTzODK23rQSuGkAfV1VX-VA0kBaNn_QBfjCAXAf4hWLTkbMxl1jEmd-s/s320/OUTMD+poster.jpg" height="320" width="320" /></a></div>
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Milan Luthria pairs up with Ekta Kapoor once again and directs the sequel to his gangster hit <b><span style="color: #990000;">Once Upon a Time in Mumbaai</span></b> with generous and unapologetic Bollywood masala and action scene close-ups, enriching this new film with more romance than the first movie of the series. </div>
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<a href="http://hindicinenglish.blogspot.in/2013/08/once-upon-time-in-mumbaai-2-of-love-and.html">READ MORE>></a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-33545059483386169562013-07-14T21:00:00.000-07:002014-03-07T08:46:43.115-08:00BHAAG MILKHA BHAAG: A Real-Life Tale of Inspiration<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmKn5MBRLar9NewCNR-ckQ6473ftZndUVgQGxBAqvdLLG94O-dxI9Twvg70QdHsjb0nphP6dwSxOxOuYyMrjrfq5709SsvFhPEJUh8FLyYowvHUZSGZ6XZ5s2acIrE5O2ixVOdx0OUSnJg/s1600/BMB+art+by+Jaspreet+Singh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmKn5MBRLar9NewCNR-ckQ6473ftZndUVgQGxBAqvdLLG94O-dxI9Twvg70QdHsjb0nphP6dwSxOxOuYyMrjrfq5709SsvFhPEJUh8FLyYowvHUZSGZ6XZ5s2acIrE5O2ixVOdx0OUSnJg/s400/BMB+art+by+Jaspreet+Singh.jpg" height="250" width="400" /></a></div>
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<span itemprop="description">Rakeysh Onprakash Mehra had me conquered with <i><a href="http://hindicinenglish.blogspot.in/2011/01/unforgettable-rang-de-basanti.html" target="_blank">Rang de Basanti</a></i> and I had been awaiting a new tale that would feature his unique directorial punch. <b><span style="color: #990000;">Bhaag Milkha Bhaag</span></b>, a patriotic and epic account of runner Milkha Singh's life, features spot on performances by the cast and a wonderful and highly involved lead performance by actor/director Farhan Akhtar, who trains, sweats, bhangras and romances with all his heart.</span> Prasoon Joshi’s script tell's Milkha Singh’s story through a long series of flashbacks that make the full story materialize at the end of the film.<br />
<a href="http://hindicinenglish.blogspot.in/2013/07/bhaag-milkha-bhaag-real-life-tale-of.html">READ MORE>></a> </div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-43081571896531442192013-07-05T03:25:00.000-07:002013-07-05T03:25:10.190-07:00HARUD: Kashmir's Free-Falling Leaves<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZJenlvSjjbihuezhMAaM4X_yxZ5CCarAtp37MtwbmwSvbW0tgwWPB4fkS_X8Dn3K5PELSyCgKS_h0_P4xRJDpIiK1XktLpgVa5WzoXXulbkfFVZv9mJDLkhp0_ZqrQgbfElvoLVWDbspN/s267/Harud+poster.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZJenlvSjjbihuezhMAaM4X_yxZ5CCarAtp37MtwbmwSvbW0tgwWPB4fkS_X8Dn3K5PELSyCgKS_h0_P4xRJDpIiK1XktLpgVa5WzoXXulbkfFVZv9mJDLkhp0_ZqrQgbfElvoLVWDbspN/s267/Harud+poster.jpeg" /></a></div>
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Slow but effective, <b><span style="color: #990000;">Harud</span></b> starts with scenes that grasp the viewer and, even though one might find the film’s long silences heavy to watch, the eyes and the heart of art cinema lovers will wait patiently to see what brave story unfolds.</div>
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Rafiq (Shahnawaz Bhat), <span style="color: #990000;"><b>Harud</b></span>’s main character, has an elder brother who has disappeared due to the tension in the Kashmir region. His mother and father have difficulty in dealing with this disappearance and the ambient violence, to the point that his father (veteran Iranian actor Reza Naji) starts slowly losing his mind to depression. Rafiq’s daily life unfolds listlessly until he finds his older brother’s camera and starts to use it, finding some respite from a grey existence. </div>
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A special mention goes to actors Mohammad Amir Naji (Rafiq's father), who is already known to be immensely talented, and to Mudessir Ahmed Khan, who despite being a starting actor, gives the film a tinge of joy or magic to each scene he takes part in. Equally strong applause goes to Nakul Kamte. As I was watching the film, I kept wondering how such guerrilla-style film making could achieve such quality in the sound department, and it was only after I saw his name in the credits that my mystery was solved. </div>
<a href="http://hindicinenglish.blogspot.in/2013/07/harud-kashmirs-free-falling-leaves.html">READ MORE>></a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-11919912728625619252013-06-10T18:30:00.000-07:002013-07-05T03:23:05.082-07:00GURU DUTT: The Percentage of Tears<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #274e13;"><b>Guest post by: Tiru Pradyumna</b></span>
<i>Editing by: HINDI CINEMA BLOG</i>
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<span style="font-size: x-small;"><i>Tiru Pradyumna is a theatre director from Bangalore. Interpreting and finding precious things in Indian cinema which are apparently not understood by normal audience, as well as articulating the concept of aesthetics and semiotics in cinema are some of Tiru's many talents shared with us today. Check out the blog at: <a href="http://tirupradyumna.blogspot.in/" target="_blank">http://tirupradyumna.blogspot.<wbr></wbr>in/</a></i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Q0jnMXxEjmZkwtIjuuIVw4ZUwo0YeeT74XCmDU4ulFtDjQyJ3tMUvii0SvR8rm_9ED3BGGx0i7UPTrg-W-zMxbtQx5NIH-IQs908m9EHDurGPOQjIdU74RaILIT-E6ZgV5MuYXUT55Gx/s1600/Pyaasa_Guru+Dutt_Waheeda+Rehman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Q0jnMXxEjmZkwtIjuuIVw4ZUwo0YeeT74XCmDU4ulFtDjQyJ3tMUvii0SvR8rm_9ED3BGGx0i7UPTrg-W-zMxbtQx5NIH-IQs908m9EHDurGPOQjIdU74RaILIT-E6ZgV5MuYXUT55Gx/s320/Pyaasa_Guru+Dutt_Waheeda+Rehman.jpg" width="320" /></a></div>
<i>“Koi Jab Roke, Koi Jab Toke, Gun Gun Karata Bhaage Re” </i>
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This line flashed at me when I saw a poster of a film near a theatre in Bangalore. The title matched the “ORIGINAL” for the most part till “Saahib Biwi Aur ...”, but in a few seconds, my intellect felt guilty, because the resemblance was only between two film names and only that much. The memory of that poster remained only for couple of seconds, while the memory of the ORIGINAL film (which remains a classic even after five decades) will remain forever. My "guilty" comparison of both films led me to compare the “Golden Era of the HINDI FILM industry” and current “Bollywood” (that is what they call it). The span of twenty years in which legends like Raj Kapoor, Yash Chopra, Shammi, Rafi, Kishore Da, Burmans, Kaifi Azmi, Abrar alvi, Sahir ludhianvi, Anand Bhakshi and Guru Dutt were brand ambassadors of the Hindi film industry is compared to nowadays, when actors are only meant to be brand ambassadors for TV commercials... let's say the comparison cannot even be balanced on the same pole.</div>
<a href="http://hindicinenglish.blogspot.in/2013/04/guru-dutt-percentage-of-tears.html"><b>READ MORE>></b></a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-465859204323458622013-05-23T21:00:00.000-07:002013-07-05T03:20:12.213-07:00THE PRESENT AND FUTURE OF HINDI FILMS<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Image from IBNLive.com</td></tr>
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<b>By Swanand Kirkire</b>
<i>(Edited by Mayank Shekher for the MAMI Film Festival)</i>
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I remember when I was a newcomer to Hindi films, I had met the iconic actor-filmmaker Kamal Hassan at a social function. He had then mentioned to me that, over the years, movies in India had worked for us simply as a magic show. Most people watched moving images on silver screen more as theatre audiences experiencing magic playing out before their eyes – without knowing or thinking of the technology that went behind bringing those images to life. With the explosion of technology in later decades, this illusion of magic slowly began to fade away, and cinema 2000 onwards, I suspect, started to reflect that change.<br />
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<a href="http://hindicinenglish.blogspot.com/2013/05/the-present-and-future-of-hindi-films.html" target="_blank"><b>READ MORE>></b></a> </div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-80734403614368220712013-02-28T09:26:00.001-08:002013-02-28T09:26:33.848-08:00GATTU Review: A Child Conquers the Sky<div dir="ltr" style="text-align: left;" trbidi="on">
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When a movie without special effects, exotic locations, huge stars and song and dance sequences is released, it tends to be classified in the art film category and is immediately slotted for an intellectual or purely regional audience. Gattu breaks the mould and brings us not only Indian entertainment but also simple and meaningful cinema.</div>
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<a href="http://hindicinenglish.blogspot.in/2013/02/gattu-review-child-conquers-sky.html" target="_blank">Read More>> </a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-84463523510470887522013-02-07T05:35:00.000-08:002013-02-07T05:35:08.298-08:00SPECIAL 26 Review: Thrill is the Word<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="color: #990000;">A Wednesday</span></b> was the first Indian film I believe I watched in India and without English subtitles. I still remember a friend translating for me the parts I did not fully understand and feeling how the plot was getting entangled and detangled in my brain. Such a stimulating film had me looking forward to acclaimed director Neeraj Pandey's <b><span style="color: #990000;">Special 26</span></b> (aka <span style="color: #990000;"><b>Special Chabbis</b></span>) and I am glad the waiting is over.<br />
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While the director might have been facing nervousness this week before the release, one has to say that a trip to the cinema this weekend to watch it is pretty well worth it!<br />
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<a href="http://hindicinenglish.blogspot.in/2013/02/special-26-review-thrill-is-word.html">Read more>> </a><br />
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-77166918794693177162013-01-30T10:32:00.000-08:002013-01-30T10:32:00.592-08:00Bollywood Infomercial Sleek: RACE 2 Review<div dir="ltr" style="text-align: left;" trbidi="on">
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Let us quote and interview of Johann Verheem, founder of a weight loss company who became famous overnight due to one of his infomercials: <i>“It's not just that sex sells, but one of the other things very important in direct selling, in infomercials, is that a product looks different enough for someone to stop and watch it.”</i> <span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-size: x-small;">(Inc. magazine)</span></span></div>
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Verheem's expert knowledge of "what sells" completely matches my impression of Abbas and Mustan Burmawalla's <span style="color: #990000;"><b>Race 2</b></span>, where a score of gorgeous males and females show off their tanned and chiseled bodies and brand clothes in luxurious settings while trying to appear cool by emoting as minimum as possible and handling uncannily humongous sums of money (plus the shroud of Turin!) throughout a plot that unfortunately keeps craving for an ending well before the intermission.</div>
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<a href="http://hindicinenglish.blogspot.in/2013/01/bollywood-infomercial-sleek-race-2.html"><span style="font-family: Times,"Times New Roman",serif;"><br /></span></a>
<a href="http://hindicinenglish.blogspot.in/2013/01/bollywood-infomercial-sleek-race-2.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-13428630871631417272013-01-13T13:00:00.000-08:002013-01-30T08:21:15.278-08:00MATRU KI BIJLEE KA MANDOLA Review: Bhardwaj's Off-beat Genius<div dir="ltr" style="text-align: left;" trbidi="on">
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It was enough to see the promos featuring a smiling pink buffalo, Gulabi Bhains, prior to a <b><span style="color: #990000;">Talaash</span></b> screening to convince us we <i>needed</i> to watch <span style="color: #990000;"><b>Matru ki Bijlee ka Mandola</b></span>. Seeing Vishal Bhardwaj's name appended to it convinced us further...<br />
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Though the plot has been analyzed and sometimes criticized by first-time viewers across the press expecting a mainstream movie with a dash of quirkiness or originality from Vishal Bhardwaj, I have to say I find most critics who were disappointed with Matru ki Bijlee ka Mandola have missed its point. In my very humble opinion, the movie's disjointedness and wackiness was written on purpose. One scene jumps to the next, the absurd creeps up every other scene and the plot includes a critical view of Indian village society while at the same time providing funny cracks. The film might not have the duality of Kaminey or the straightforward drama of Omkara; it might at times seem like Bhardwaj wrote a set of unfinished brilliant sketches for a set of characters he fleshed out in advance; but ultimately, the film follows a thread of veiled, surrealistic but effective critique of India that can absolutely not be brushed off.</div>
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<a href="http://hindicinenglish.blogspot.in/2013/01/matru-ki-bijlee-ka-mandola-review.html"><span style="font-family: Times,"Times New Roman",serif;"><br /></span></a>
<a href="http://hindicinenglish.blogspot.in/2013/01/matru-ki-bijlee-ka-mandola-review.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a></div>
Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-85702739456730170022013-01-09T23:23:00.000-08:002014-03-07T08:42:29.464-08:00USTAD HOTEL: The Beauty of Nonchalance<div dir="ltr" style="text-align: left;" trbidi="on">
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Every now and then, there is a regional film making its way into a review by the Hindi Cinema Blog and <span style="color: #990000;"><b>Ustad Hotel</b></span>, a 2012 Malayalam film written by Anjali Menon and directed by Anwar Rasheed merits such an occasion.</div>
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<span style="color: #990000;"><b>Ustad Hotel</b></span>´s subtle cinematography and its richly colorful images paint a refreshing and simple story. Faizal, nicknamed Fayzee (Dulquer Salman) grows up amid his sisters until they are "married off" one by one. Fayzee hopes to be a chef, much against the aspirations of his father. He goes to Switzerland to study hotel management at the University of Lausanne. When he returns, the possibility for an arranged marriage is broken off by the bride-to-be Shahana (Nithya Menon), who also reveals to one and all that Fayzee has secretly completed a chef's course and not a career in hotel management, as agreed. This event shatters his father's dream of opening a five-star hotel in his home town of Kozhikode. Fayzee feels so cornered that he decides to move in and work with his grandfather Karim Ka (Thilakan), who is also a chef and runs a beach restaurant called Ustad Hotel. Fayzee's philosophy of life matures and evolves under the formative eye of his grandfather in this lovely coming of age entertainer. </div>
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<a href="http://hindicinenglish.blogspot.in/2013/09/ustad-hotel-silver-screen-delicacy.html">READ MORE>></a> </div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-83253798740796995482013-01-05T15:00:00.000-08:002013-01-30T08:18:59.245-08:00DABANGG 2 Review: Chulbul Pandey Came and Went<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOeuU0vq97dk2ugOMGSYFEMiCJEmDdSVqOh9LT0rnFbsheXY6anfy8QaRQonmXIaZZRCwktQVGqrhPwORjuIloW5K0zTCynS2ujuqKiveGtszDv__EH_KJVmaZhEFpZXRO-gfLYyTOdw2Q/s1600/dabangg2+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOeuU0vq97dk2ugOMGSYFEMiCJEmDdSVqOh9LT0rnFbsheXY6anfy8QaRQonmXIaZZRCwktQVGqrhPwORjuIloW5K0zTCynS2ujuqKiveGtszDv__EH_KJVmaZhEFpZXRO-gfLYyTOdw2Q/s320/dabangg2+poster.jpg" height="240" width="320" /></a></div>
<span lang="EN-US" style="mso-ansi-language: EN-US;">Bombay moviegoer's expectations were ablaze viewing the giant posters of Bollywood’s most masalaic hero pointing a gun at cars passing by on high avenues. The sequel to one of the cinema industry’s most recent box office monuments, Dabangg, was about to conquer the Indian psyche, or so it seemed...</span><br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;">While I am aware of the huge following Salman Khan has among Indians and while I do believe the icon he has become can become an acquired taste for those of us who did not grow up with masala as a run-of-the-mill method of storytelling, this blogger remains nonetheless underwhelmed with the result of the sequel to a very innovative and entertaining original Dabangg.</span><br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><a href="http://hindicinenglish.blogspot.in/2013/01/dabangg-2-chulbul-pandey-came-and-went.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a> </span></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-3998528919828431512012-12-08T15:02:00.000-08:002013-01-30T08:12:14.162-08:00TALAASH: A Puzzle Unsolved<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXx4oxYH1u4FEux0nUe4WyAQ0PY2pVBdFz_MhIFMDBUTqGSfuZ-jbslqqxb026I3g6fmopGp2tbUfnLrcIMk5EZ-V8iV5s9l2bywxwBV0oyV88v1luzmPqh2mG5DxIUQqFD7AE93RnIYFY/s1600/talaash_505_120112010507.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXx4oxYH1u4FEux0nUe4WyAQ0PY2pVBdFz_MhIFMDBUTqGSfuZ-jbslqqxb026I3g6fmopGp2tbUfnLrcIMk5EZ-V8iV5s9l2bywxwBV0oyV88v1luzmPqh2mG5DxIUQqFD7AE93RnIYFY/s400/talaash_505_120112010507.jpg" height="208" width="400" /></a></div>
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<u><i><b>**Review contains spoilers**</b></i></u></div>
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After queueing for tickets unsuccessfully a few times, today I was finally able to enter the cinema hall to watch <b style="color: #990000;">Talaash</b>, a film that had remained mysterious through its filming and even during its promotion for me and which I was patiently waiting to unveil.<br />
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Let's cut to the chase: The film starts with a fine cinematic glossing over Bombay’s underworld, sung masterfully by Suman Sridhar in what I believe is the most original song in the soundtrack. The poor, the gamblers, the prostitutes, the forgotten are all shown through a skillful lens… Once the tone has been set, a car falls into the sea in an accident that will become the object of investigation for inspector Surjan Singh Shekhawat (Aamir Khan). A few scenes later, the audience realizes that the inspector has lost his young son in an underwater accident too. This has affected his relationship with his beautiful wife (Rani Mukherji). The plot is set to deliver a profound psychological suspense drama. The audience’s curiosity is piqued as to how the main character will be freed from his grief through the findings he will make in his crime investigation.<br />
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<a href="http://hindicinenglish.blogspot.in/2012/12/talaash-puzzle-unsolved.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-69844319672771418172012-12-04T08:09:00.000-08:002013-01-30T08:07:00.040-08:00LIFE OF PI: Depths of a Soul's Ocean<div dir="ltr" style="text-align: left;" trbidi="on">
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Not having read the book Life of Pi, by Yann Martel, I was skeptical about taking the “theatre leap” to watch a film based on such a universally praised novel. Facebook echoes of pleased viewers in India and the talent-studded cast of Irrfan Khan, Tabu, Gérard Dépardieu and Adil Hussain however ended nudging me towards watching the tigersome adventure.<br />
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I can joyfully say I was not disappointed. Apart from a few lengthy areas, the story had my companion and me hoping, feeling, smiling or speechless for the protagonist. And just when you think all has been said and done in the story, Pi’s ark provokes more thoughts and feelings than you expected<span style="font-family: Calibri;">.</span><br />
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<a href="http://hindicinenglish.blogspot.in/2012/12/life-of-pi-depths-of-souls-ocean.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a></div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-57185007292464087822012-10-12T20:00:00.000-07:002013-01-30T08:01:54.825-08:00ENGLISH VINGLISH: A Queen Empowered<div dir="ltr" style="text-align: left;" trbidi="on">
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More than one 90s queen of Bollywood has set her sights on making a "comeback" with a film that showcases her middle-age talent and beauty. Madhuri Dixit's <span style="color: #990000;">Aaja Nachle</span> and a more recent <span style="color: #990000;">Aiyyaa</span> starring Rani Mukherjee have received lukewarm responses, however a rare jewel of Hindi cinema was still to appear with the comeback of Sridevi, who held the coveted role of India's sweetheart for many a year.</div>
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I believe I have less words to express how strongly I recommend watching <span style="color: #990000;">English Vinglish</span> than for any other review I have written before. Quite simply because <span style="color: #990000;">English Vinglish</span> is much better watched than read through another viewer's eyes, as colorful or detailed critics as they may be.</div>
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<a href="http://hindicinenglish.blogspot.in/2012/10/english-vinglish-queen-empowered.html"><span style="font-family: Times,"Times New Roman",serif;"><br /></span></a>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-33526583514128934382012-10-01T00:00:00.000-07:002013-01-30T08:00:06.644-08:00BHOOTER BHOBISHYOT: Spooky Wit Unleashed!<div dir="ltr" style="text-align: left;" trbidi="on">
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Today's film review may be coming a bit late but when the Hindi Cinema Blog comes across witty and fun cinema, we tend to say "better late than never"!
<span style="color: #990000;">Bhooter Bhobishyot</span> is a witty tale that gives us food for thought as it tells us the story of ancient Calcutta mansions which are being increasingly demolished to make way for the construction of modern shopping malls. The catch is that ghosts that inhabited and happily haunted the capital's heritage properties are finding themselves homeless without the civil society or the government doing anything about it! Ayan (Parambrata Chatterjee, who, for Bollywood buffs unfamiliar with Tollywood, is the pitch-perfect actor who starred opposite Vidya Balan in <span style="color: #990000;">Kahaani</span>) is an aspiring feature film maker. He listens to the story of a motley crew of ghosts from all social backgrounds, times, creeds, tastes and even nationalities in the search for the perfect plot to make a super hit movie.</div>
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<a href="http://hindicinenglish.blogspot.in/2012/10/bhooter-bhobishyot-spooky-wit-unleashed.html"><span style="font-family: Times,"Times New Roman",serif;"><br /></span></a>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-62090500515214979312012-09-15T02:07:00.000-07:002013-01-30T07:58:07.776-08:00Masterful Kapoor in BARFI! - Film Review<div dir="ltr" style="text-align: left;" trbidi="on">
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Long before Ranbir Kapoor, Ileana D'Cruz and Priyanka Chopra faced a stampede in Bangalore a few days ago, <span style="color: #990000;">Barfi!</span> had entered my consciousness with its adorable trailer. Having watched it at its release, I have searched my words for several hours and would say that the film does not end when one comes out of the cinema hall. This one stays with you well beyond.</div>
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<span style="color: #990000;">Barfi!</span> is the story of Murphy/Barfi (Ranbir Kapoor) set in 1970's Darjeeling and Calcutta. Barfi is a mischievous and clever deaf-mute youth who falls in love with Shruti (Ileana D'Cruz). While Shruti feels affection for Barfi, she prefers to marry a man approved by her parents. When several years later, Shruti and Barfi meet again, he lives with Jhilmil (Priyanka Chopra), his autistic childhood friend who suddenly goes missing. As Shruti helps Barfi find the girl he now loves, she understands that she has never stopped loving him. Love and the pursuit of happiness are delicately portrayed by all three actors.<br />
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<a href="http://hindicinenglish.blogspot.in/2012/09/masterful-kapoor-in-barfi.html"><span style="font-family: Times,"Times New Roman",serif;">Read more>></span></a> </div>
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Aline Cinehindihttp://www.blogger.com/profile/14080921076276072789noreply@blogger.com0tag:blogger.com,1999:blog-1281289873618444920.post-13304762709754002352012-08-23T21:00:00.000-07:002013-01-30T07:53:40.814-08:00EK THA TIGER Review: Romancing Masala<div dir="ltr" style="text-align: left;" trbidi="on">
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Once upon a time there was Tiger... A Salman Khan and Katrina Kaif starrer... a full-blown masala entertainer... what could rake in more box office success?<br />
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Ek Tha Tiger has been the press' favorite phenomenon this week due to its record breaking success figures and most media is likely to praise and recommend it.The film is a Yash Chopra production with Salman Khan as its main man and therefore makes the movie an entire Salman Khan centered affair, with a fresh-as-a-flower looking Katrina Kaif as his befitting love interest.</div>
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<a href="http://hindicinenglish.blogspot.in/2012/08/ek-tha-tiger-romancing-masala.html"><br /></a>
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