Unforgettable RANG DE BASANTI: A Retrospective Review

Forget mainstream Bollywood, forget candy floss, forget boy-chases-girl-chases-boy around trees... As adorable as regular fare from our favorites at Film City may be, 'Rang de Basanti' takes each and every member of the audience on a totally different ride and upon each viewing I say:

YEH CINEMA HAI, baby!

Last week, Rakeysh Omprakash Mehra's groundbreaking film was screened before its cast and crew in honour of its 5th anniversary (26th January). Several fans of the film across the world also celebrated the occasion by parking the RDB dvd in their drives that week and I am happy to have joined them.. There is a saying that claims "there is no place like home" and that is exactly how I felt as I re-watched one of my all-time favorite films, not only from India, but from around the world. Yes. This is a film I bought several times in order to distribute copies to friends and of course purchased the special edition with a "gem disk" that features Mehra's ultimate commentary. I could never get enough of it!

For those readers who are Hindi cinema newbies and therefore not familiar with what all this justified fuss is about, a brief synopsis follows the trailer below (purple text).

Sue (Alice Patten), a young film maker from London sets to shoot a film about India's freedom fighters based on her grandfather's diary (a British jailor in India during the pre-independence struggle). She hence flies to Delhi and finds whom she believes are the 6 perfect actors for her film. After hesitatingly accepting to participate in it, all 6 youngsters embark on an awakening journey that will shift their view of their country and will make them act upon it together in order to change a corrupt status quo.

DHOBI GHAT: a personal review of fleeting moments

First things first, I have been an arthouse and world cinema buff for years and had one thing in mind this week: to watch Kiran Rao's debut movie 'Dhobi Ghat'. It had been presented as a niche audience movie, she was compared by the press to  Mira Nair and nothing sounded more promising than spending an evening in the company of Rao's view of Bombay.

A GUZAARISH TO REMEMBER - Film Review

I have always been in two minds about Sanjay Leela Bhansali's films which swing between the lavish and the stern... Consequently, I started watching 'Guzaarish' ('A Request') without much expectation. As the first frames appeared with a stunning as always Aishwarya Rai in the role of a nurse who looks like a porcelaine doll with perfect earrings and wine red lips, I confess the Westerner in me thought the film would not reel me in. To my surprise however, I gradually got used to Bhansali's visuals and initially peculiar use of melodrama. Soon, against my initial thoughts, the story, the characters and the subject built a bridge and I found myself gladly weaving my way through a Goan maze of majestic architecture, rainy scenery and questions about life itself. READ MORE >

ATUL KULKARNI and NATARANG Rule the Roost - Interview & Film Review

Better late than never, the Hindi Cinema Blog has finally managed to watch the unmissable and highly acclaimed 'Natarang', Ravi Jadhav's filmic anthem to a man's passion for art and to standing for what one believes in, based on a novel by Dr. Anand Yadav. A story that has the capability of stirring audiences throughout the world, this is unquestionably one of the best Indian films we have come across this 2010!

'Natarang' is set in the 1970s and is the story of Guna, a village wrestler with a love for Maharashtrian popular theatre (tamasha) who decides to create his own village troupe when he and his friends are suddenly hit by unemployment. Strong and manly, Guna dreams of writing a play in which he will portray a king but things take a different turn as he becomes confronted with the choice of playing a 'nachya' (effeminate character), without which he would have to say goodbye to any possibility of making his artistic dreams come true. The film about his ravaging passion for popular theatre begins as a lighthearted story and progressively evolves towards the dramatic destiny of its main character as the plot thickens. 'Natarang' touches such sensitive subjects as gender roles and expectations in 1970s Maharashtra, the fear ofsurpassing oneself, art politics, family ties and society's prejudices. READ MORE >>

DABANGG! Vintage Masala's Resurrection!

Bollywood-born Robinhood, Chulbul Pandey (Salman Khan) is capable of crying but still masculine to the core, in true Hindi cinema style. And did anyone say 'fear'? That is certainly a concept unknown to this 'Dabangg' hero (I can still hear a trail of ladies sighing as they come out of the cinema hall).

Cop... lover... rebel Chulbul happens to lose his attachment to family in his childhood when his widowed mother, Naini (Dimple Kapadia), marries Prajapati Pandey (Vinod Khanna), with whom she has son Makhanchan (Arbaaz Khan). Chulbul will only find the worth of family ties later down the line, once he meets and decides to marry exquisite Rajo (Sonakshi Sinha). READ MORE >>