DHOOM 3 Review: Get Set... Dhoom!

A couple of hours drive through the California desert to reach San Diego had this lucky blogger enjoying an early Christmas gift from her best friend: a prepaid ticket for the first day and first show release of Vijay Krishna Acharya’s much anticipated Dhoom 3.

I have a confession to make. I would not say I am an action flick fan (I tend to find the genre a bit soulless) and have often been disappointed with the multiple attempts to achieve Hollywood-like results in Indian films or to create the ”Indian James Bond”. Not only do I believe Indian cinema need not use Western cinema as a measuring stick, but in my humble opinion, these attempts have met little success… probably less due to a lack of budget than to faulty scripts. So before starting this review, I wish to give my sincere applause to Vijay K. Acharya and Aditya Chopra for taking a giant box-office title like Dhoom and writing a script with soulful Indian flavor while creating a pretty consistent and entertaining action plot that can appeal to any audience.
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THE LUNCHBOX (DABBA): A Delicacy for the Soul

It is certainly a joy when yet another film being hailed as the true flag of Hindi language independent cinema actually delivers in all departments, particularly in terms of performances and script. After having watched a couple of Hindi indie films in the past few years with less-than-enthusiastic reviews to post, I am glad to say Ritesh Batra has finally nailed it. The Lunchbox has India co-producing along with France, Germany and the U.S., giving it all its chances abroad and among Indian audiences looking for honest niche cinema of great quality.
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ENGLISH VINGLISH: A Queen Empowered

More than one 90s queen of Bollywood has set her sights on making a "comeback" with a film that showcases her middle-age talent and beauty. Madhuri Dixit's Aaja Nachle and a more recent Aiyyaa starring Rani Mukherjee have received lukewarm responses, however a rare jewel of Hindi cinema was still to appear with the comeback of Sridevi, who held the coveted role of India's sweetheart for many a year.

I believe I have less words to express how strongly I recommend watching English Vinglish than for any other review I have written before. Quite simply because English Vinglish is much better watched than read through another viewer's eyes, as colorful or detailed critics as they may be.

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BHOOTER BHOBISHYOT: Spooky Wit Unleashed!

Today's film review may be coming a bit late but when the Hindi Cinema Blog comes across witty and fun cinema, we tend to say "better late than never"! Bhooter Bhobishyot is a witty tale that gives us food for thought as it tells us the story of ancient Calcutta mansions which are being increasingly demolished to make way for the construction of modern shopping malls. The catch is that ghosts that inhabited and happily haunted the capital's heritage properties are finding themselves homeless without the civil society or the government doing anything about it! Ayan (Parambrata Chatterjee, who, for Bollywood buffs unfamiliar with Tollywood, is the pitch-perfect actor who starred opposite Vidya Balan in Kahaani) is an aspiring feature film maker. He listens to the story of a motley crew of ghosts from all social backgrounds, times, creeds, tastes and even nationalities in the search for the perfect plot to make a super hit movie.

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EK THA TIGER Review: Romancing Masala

Once upon a time there was Tiger... A Salman Khan and Katrina Kaif starrer... a full-blown masala entertainer... what could rake in more box office success?

Ek Tha Tiger has been the press' favorite phenomenon this week due to its record breaking success figures and most media is likely to praise and recommend it.The film is a Yash Chopra production with Salman Khan as its main man and therefore makes the movie an entire Salman Khan centered affair, with a fresh-as-a-flower looking Katrina Kaif as his befitting love interest.

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Ooh La La: THE DIRTY PICTURE is here!

Rating: ****

SMASHING is the first word I had on my lips upon seeing the first rushes of The Dirty Picture's promos with a delicious Vidya Balan... and yes, I am a girl talking about a girl here, but let me make a bet that the seductiveness this chick exudes in the film does fit with every guy's fantasy.

At the centre of The Dirty Picture's plot is Silk Smitha (played by Vidya Balan), an actress who was an ultimate sex symbol in 1980s south Indian cinema. The lascivious star was a sizzling element of more than 400 Malayalam and later on Hindi Bollywood films, one of which was the famed Sadma, starring opposite Kamal Hassan and Sridevi. Smitha's success was short lived despite the wide array of films she left as her heritage, given that she passed away in 1996 at the young age of 35.

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BOL Review: Immersed in Lollywood

BOL review by Diana (Italian Cinema Hindi Blog)

Rating: ****

Bol allows us to immerse ourselves in Lollywood (Pakistani cinema has not been spared the suffix borrowed from Hollywood, taking the first letter of the capital city, Lahore, which is the main stageof the Pakistani film industry).

Zainab (Humaima Malik) is in prison, having been convicted of murder. Before she is executed she requests to be able to tell her story. She is the eldest of five daughters of a very modest family in Lahore. Her father, Hakim Sahib (Manzar Sehbai), is the sole breadwinner, whereasthe family's women remain confined within their home without being given the opportunity to study or tobecome independent, thereby becoming a financial burden. When the family finally sees the arrival of a much-desired male heir, the midwife confides in Hakim and reveals that the baby is a hermaphrodite.

A central theme in Bol is sexuality. In a conservative and repressive society, sexuality is seen as a taboo which often results in sexual phobias, morbid, violent or abusive behavior.

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MERA BROTHER KI DULHAN or BODYGUARD?

Both films pulled audiences to the ticketsale counters. Both offer solid and modern entertainment this autumn season.

Mere Brother ki Dulhan is a youthful and pacey tale of the search for the perfect modern day liberated bride, incarnated by Laila (Katrina Kaif) who lives to drink and have fun. It is utterly refreshing to see Katrina Kaif as a full-out rebel, even though her acting still requires developing her individual style more as she somehow often seems to emulate other successful actresses of yesterday and today... She is however very commendable in her role and, as a woman, I have to salute her for not being stick thin but still looking fresh and beautiful. Who wants to be size zero, I say indeed? 

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AARAKSHAN: Watch with Reservations

Prakash Jha's new film, Aarakshan, touches upon the controversial subject of caste and has done so in such a straightforward way, according to three Indian states (Punjab, Andhra Pradesh and Uttar Pradesh) that they have banned its screening, fearing that it might spark bouts of communal violence. Other measures taken in order to ensure safety in relation to the film, have included providing special protection in certain movie theaters where Aarakshan is being screened, as well as protecting the film's well-known actors.

Aarakshan's setting is in a school in which Amitabh Bachchan, the principal, must face the delicate issue of   caste-based quotas. The controversy started once the first look of the film was launched. However, even if the film does indeed allude to Aarakshan at some point in the beginning of the story, the rest of the script is less concerned by it as it develops into a critique of education in India.

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DELHI BELLY: I rate you [like I love you]

'Delhi Belly' might not be doing the due rounds of Nepali cinemas but it sure has traveled to other exotic destinations! Paris and its quintessential commuting work routine had me a bit dizzy this week until - lo and behold - I discovered a silent film release that would force me to unwind... As I scroll through Internet cinema timings at the local French café I come upon the word "Delhi" on my screen... I wonder if a cinema is scheduling an art-house movie about India but immediately see the word "Belly" on the side. I squint. "Delhi" plus "Belly"?! A suburban cinema in Paris is showing a film I never imagined I could watch on the big screen! Abhinay Deo's 'Delhi Belly' has crashed Paris and has me scrambling to the nearest subway station! Cinema hall, here we come!


As I reach the cinema, nine huge posters announce Hollywood fare and my wallet's target is nowhere to be seen. I stand in queue and ask the cashier for a ticket to watch 'Delhi Belly'. The cashier begs my pardon and for a second I ask myself if I should have pinched myself when I saw the film announced on the Internet. I repeat the name of the film and the cashier looks through the list of films currently showing before actually realizing that a film called 'Delhi Belly' is scheduled. I pay my ticket and hurry to find all seats empty, but thankfully, a few minutes later a small audience starts trickling in. We are a handful of foreigners sitting with a merry group of NRIs, carrying packaged samosas and all. The place suddenly feels like home.


Rewind a couple of years earlier. Of all three films Aamir Khan and Kiran Rao's production house was preparing since 2008, 'Delhi Belly' has been the closest to my heart and the expectation to see it never waned even after a box-office smashing '3 Idiots' or a subtle 'Dhobi Ghat'. I had not seen 'Delhi Belly' but yet knew it would be my favorite film of all three. Now is the chance to see if my expectations were correct.

Sitting in that Paris cinema, the small audience gets the feeling we are members of some exclusive clique. A bunch of connoisseurs ready to savour a treat that is only meant for the duly initiated...

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DABANGG! Vintage Masala's Resurrection!

Bollywood-born Robinhood, Chulbul Pandey (Salman Khan) is capable of crying but still masculine to the core, in true Hindi cinema style. And did anyone say 'fear'? That is certainly a concept unknown to this 'Dabangg' hero (I can still hear a trail of ladies sighing as they come out of the cinema hall).

Cop... lover... rebel Chulbul happens to lose his attachment to family in his childhood when his widowed mother, Naini (Dimple Kapadia), marries Prajapati Pandey (Vinod Khanna), with whom she has son Makhanchan (Arbaaz Khan). Chulbul will only find the worth of family ties later down the line, once he meets and decides to marry exquisite Rajo (Sonakshi Sinha). READ MORE >>