Tuesday, May 10, 2011

THANK YOU reviewer says "No, thank you".

Akshay Kumar has always been an actor I yearned to be able to love on screen. Time after time, I watched his films hoping he would deliver his talent as smoothly as I remembered him in for example  Namastey London. One film after the other, I came out of the spectator experience thinking “All right, maybe next film”…


Don’t get me wrong. I understand that he is an unparalleled martial arts action hero and that most of his films are supposed to be light mainstream entertainment. I also know how huge his fan base is and the law of the majority has indeed motivated me to keep attempting to love his work.

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Sunday, February 13, 2011

DEV ANAND's HUM DONO: A Walk in the Clouds




Hindi cinema today has its set of glories. Current producers, directors and even stars have nevertheless grown up and nourished their creativity on yesteryear’s Hindi films. The likes of Raj Kapoor, Dilip Kumar, Bharat Bhushan and of course Dev Anand defined what cinema was to become and what a son, a husband, a lover and simply a man was all about. Likewise, Nargis, Madhubala or Nutan incarnated the ideal of feminity on the silver screen for generations.

In a renewed effort to bring back the glory days of Indian cinema in all its splendour to audiences today, ‘Hum Dono’ has been released in its colour (rangeen) version at multiplexes throughout the country and abroad.

Monday, January 31, 2011

Unforgettable RANG DE BASANTI: A Retrospective Review


Forget mainstream Bollywood, forget candy floss, forget boy-chases-girl-chases-boy around trees... As adorable as regular fare from our favorites at Film City may be, 'Rang de Basanti' takes each and every member of the audience on a totally different ride and upon each viewing I say:

YEH CINEMA HAI, baby!

Last week, Rakeysh Omprakash Mehra's groundbreaking film was screened before its cast and crew in honour of its 5th anniversary (26th January). Several fans of the film across the world also celebrated the occasion by parking the RDB dvd in their drives that week and I am happy to have joined them.. There is a saying that claims "there is no place like home" and that is exactly how I felt as I re-watched one of my all-time favorite films, not only from India, but from around the world. Yes. This is a film I bought several times in order to distribute copies to friends and of course purchased the special edition with a "gem disk" that features Mehra's ultimate commentary. I could never get enough of it!

For those readers who are Hindi cinema newbies and therefore not familiar with what all this justified fuss is about, a brief synopsis follows the trailer below (purple text).


Sue (Alice Patten), a young film maker from London sets to shoot a film about India's freedom fighters based on her grandfather's diary (a British jailor in India during the pre-independence struggle). She hence flies to Delhi and finds whom she believes are the 6 perfect actors for her film. After hesitatingly accepting to participate in it, all 6 youngsters embark on an awakening journey that will shift their view of their country and will make them act upon it together in order to change a corrupt status quo.

Monday, January 24, 2011

DHOBI GHAT: a personal review of fleeting moments







First things first, I have been an arthouse and world cinema buff for years and had one thing in mind this week: to watch Kiran Rao's debut movie 'Dhobi Ghat'. It had been presented as a niche audience movie, she was compared by the press to  Mira Nair and nothing sounded more promising than spending an evening in the company of Rao's view of Bombay.

Friday, December 3, 2010

A GUZAARISH TO REMEMBER - Film Review



I have always been in two minds about Sanjay Leela Bhansali's films which swing between the lavish and the stern... Consequently, I started watching 'Guzaarish' ('A Request') without much expectation. As the first frames appeared with a stunning as always Aishwarya Rai in the role of a nurse who looks like a porcelaine doll with perfect earrings and wine red lips, I confess the Westerner in me thought the film would not reel me in. To my surprise however, I gradually got used to Bhansali's visuals and initially peculiar use of melodrama. Soon, against my initial thoughts, the story, the characters and the subject built a bridge and I found myself gladly weaving my way through a Goan maze of majestic architecture, rainy scenery and questions about life itself. READ MORE >