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By Swanand Kirkire
(Edited by Mayank Shekher for the MAMI Film Festival)
I remember when I was a newcomer to Hindi films, I had met the iconic actor-filmmaker Kamal Hassan at a social function. He had then mentioned to me that, over the years, movies in India had worked for us simply as a magic show. Most people watched moving images on silver screen more as theatre audiences experiencing magic playing out before their eyes – without knowing or thinking of the technology that went behind bringing those images to life. With the explosion of technology in later decades, this illusion of magic slowly began to fade away, and cinema 2000 onwards, I suspect, started to reflect that change.
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