DABANGG 2 Review: Chulbul Pandey Came and Went

Bombay moviegoer's expectations were ablaze viewing the giant posters of Bollywood’s most masalaic hero pointing a gun at cars passing by on high avenues. The sequel to one of the cinema industry’s most recent box office monuments, Dabangg, was about to conquer the Indian psyche, or so it seemed...

While I am aware of the huge following Salman Khan has among Indians and while I do believe the icon he has become can become an acquired taste for those of us who did not grow up with masala as a run-of-the-mill method of storytelling, this blogger remains nonetheless underwhelmed with the result of the sequel to a very innovative and entertaining original Dabangg.

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BHOOTER BHOBISHYOT: Spooky Wit Unleashed!

Today's film review may be coming a bit late but when the Hindi Cinema Blog comes across witty and fun cinema, we tend to say "better late than never"! Bhooter Bhobishyot is a witty tale that gives us food for thought as it tells us the story of ancient Calcutta mansions which are being increasingly demolished to make way for the construction of modern shopping malls. The catch is that ghosts that inhabited and happily haunted the capital's heritage properties are finding themselves homeless without the civil society or the government doing anything about it! Ayan (Parambrata Chatterjee, who, for Bollywood buffs unfamiliar with Tollywood, is the pitch-perfect actor who starred opposite Vidya Balan in Kahaani) is an aspiring feature film maker. He listens to the story of a motley crew of ghosts from all social backgrounds, times, creeds, tastes and even nationalities in the search for the perfect plot to make a super hit movie.

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INDIA INDEPENDENCE DAY: Celebrating Cinema

Independence Day in India: AP Photo from Sulekha.com

As I wake up this 14 of August to merry music outside and talented high-pitched voices coming from a street sound system at 6am, there is no doubt. Festivities have been launched to celebrate India's independence.

Later, as the day subsides, evening streets are filled with people, honking vehicles, colored lanterns and sweet smelling flower garlands hanging from every imaginable corner and at every roundabout. The air smells of delicious fried snacks, spice, incense, smoke and excitement. Fleeting fireworks thunder here and there and the thumping of the latest movie hits sweeps through the trees. Movie soundtracks are such an integral part of the Independence Day celebration that I am compelled to draw a parallel between the nation's freedom and it's cinema's “independent” essence. Indian cinema to me has long represented that which has dared to create larger than life or over the top scenes or characters that have become legendary symbols... The temptation to do a recap of Indian cinema's unique and independent character is too pressing!

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GROW UP, BOLLYWOOD GIRLS!

Guest post by Dolce from the Dolce and Namak Talk Indian Movies blog

Dolce (Italian for “sweet”) is an Eastern European movie addict (Indian movies to be precise) who has made Toronto, Canada her home over the past few years. She has an endless infectious enthusiasm for movies, songs, settings, dances, badassness and everything else that makes Indian movies a world of their own. You may visit Dolce's blog by clicking here..
 

One of the biggest disadvantages of having a group of friends where everyone is 3-5 years younger than you is that you're always waiting for people to grow up. You keep making excuses for them and keep saying: they'll grow up when they get a real job, they'll grow up when they find a steady girlfriend/boyfriend, they'll grow up when they move out, etc. And there is some truth to that because that is usually how people learn responsibility and maturity. In fact, on the opposite end, the most telling sign that someone is refusing to grow up is that they will do anything (and I mean ANYthing) to not get a full-time job, or what we call a "real" job.

In a way, Bollywood is like these friends of mine: it keeps refusing to let its heroines (and heroes sometimes) grow up. In real life, if someone is responsible enough to keep a real job and live on their own, we also expect them to be emotionally mature. (Of course that expectation can backfire horribly, but that's for a different day to discuss.) But Bollywood, as I have discovered, doesn't like emotionally mature characters. It follows logically that they cannot have jobs (or if they do they're in the artistic realm), live on their own or make reasonable (read: mature) decisions. So... they don't.

I have already discussed in my blog that a fair percentage of the male characters have become manchildren (without actually getting to the bottom of why that is, but we might get there in this post), so it's only right to now discuss what type of female characters will suit these boys. Not surprisingly: girls! Not women. Girls. Sometimes (not very often, thankfully!) manic pixie dream girls and other times just girls in the process of growing up along with their hero. But girls nonetheless.

Look around at Bollywood movies from the past two decades: how many women can we count and how many girls? And of those women, how many are the heroine? Moreover, how many of those heroines end up with the hero? Three questions, each worth exploring in some detail.

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