EK THA TIGER Review: Romancing Masala

Once upon a time there was Tiger... A Salman Khan and Katrina Kaif starrer... a full-blown masala entertainer... what could rake in more box office success?

Ek Tha Tiger has been the press' favorite phenomenon this week due to its record breaking success figures and most media is likely to praise and recommend it.The film is a Yash Chopra production with Salman Khan as its main man and therefore makes the movie an entire Salman Khan centered affair, with a fresh-as-a-flower looking Katrina Kaif as his befitting love interest.

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INDIA INDEPENDENCE DAY: Celebrating Cinema

Independence Day in India: AP Photo from Sulekha.com

As I wake up this 14 of August to merry music outside and talented high-pitched voices coming from a street sound system at 6am, there is no doubt. Festivities have been launched to celebrate India's independence.

Later, as the day subsides, evening streets are filled with people, honking vehicles, colored lanterns and sweet smelling flower garlands hanging from every imaginable corner and at every roundabout. The air smells of delicious fried snacks, spice, incense, smoke and excitement. Fleeting fireworks thunder here and there and the thumping of the latest movie hits sweeps through the trees. Movie soundtracks are such an integral part of the Independence Day celebration that I am compelled to draw a parallel between the nation's freedom and it's cinema's “independent” essence. Indian cinema to me has long represented that which has dared to create larger than life or over the top scenes or characters that have become legendary symbols... The temptation to do a recap of Indian cinema's unique and independent character is too pressing!

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RAJESH KHANNA'S GREAT GIG IN THE SKY

Post by: Narendra Kusnur

The Hindi Cinema Blog would like to thank Narendra Kusnur for accepting to have his article, celebrating Rajesh Khanna's life, talent and career, featured in our blog. Narendra is passionate about music and has turned his passion into his activity through music journalism and handling music projects for important labels in India. He writes informative and clever musings on Indian and international music at Kaansen Kalling and we music buffs at HCB continuously learn from him. It is a true pleasure to feature your thoughtful tribute to Rajesh Khanna, Narendra!
 

Ten days after leaving Mother Earth, Rajesh Khanna is wondering how he will settle in Paradise, when he is escorted to a door marked ‘Hindi Film Superstars’. It is one of many rooms given to newcomers based on their achievements in life. There, residents are allowed to spend exactly a year, before they move to a larger place called ‘Super Heaven’.

Before knocking the door, Khanna is very keen to visit the neighbouring room called ‘Musicians’, where Mehdi Hassan, Bhupen Hazarika and Jagjit Singh are rehearsing a song, composed by Ravi and featuring Sultan Khan on sarangi. But the director-general of Paradise insists that he can only enter the ‘Hindi Film Superstars’ room.

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TERI MERI KAHAANI Film Review

Guest post by Amer Shoib from The Cinema Journal

Amer Shoib has been a huge fan of cinema from childhood and has always been a huge Amitabh Bachchan fan. Amer works in London and has made his dream of becoming a part time entertainment correspondent come true. As such, Amer has interviewed some of the biggest figures in entertainment, the media and major celebrities and is an avid cinema watcher and reviewer.

  

The trailers of Kunal Kohli's Teri Meri Kahaani made us all think that the film was a reincarnation drama. Seeing the three different looks of the lead pair Shahid Kapoor and Priyanka Chopra over three different eras, there were speculations that the film might have the lead pair reborn again and again. However, "Teri Meri Kahaani" is not a reincarnation film. It's a love story of three different pairs spread over three generations". Can Kunal Kohli strike gold with this hatke love story?

Can we truly luv one person throughout our life and hope that fate makes us meet with the same person in every life of ours? 

The story of the film takes us through a journey of eternal love between a couple who have vowed to love each other not only in this life but in every life to follow. Their love is so strong that destiny wants to bring them together. The story starts in 1969 Bombay with Govind and Ruksar, then moves ahead to present times, 2012 England with Radha and Krish and then goes back in time to Punjab, 1910 with Aradhana and Javed.

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GROW UP, BOLLYWOOD GIRLS!

Guest post by Dolce from the Dolce and Namak Talk Indian Movies blog

Dolce (Italian for “sweet”) is an Eastern European movie addict (Indian movies to be precise) who has made Toronto, Canada her home over the past few years. She has an endless infectious enthusiasm for movies, songs, settings, dances, badassness and everything else that makes Indian movies a world of their own. You may visit Dolce's blog by clicking here..
 

One of the biggest disadvantages of having a group of friends where everyone is 3-5 years younger than you is that you're always waiting for people to grow up. You keep making excuses for them and keep saying: they'll grow up when they get a real job, they'll grow up when they find a steady girlfriend/boyfriend, they'll grow up when they move out, etc. And there is some truth to that because that is usually how people learn responsibility and maturity. In fact, on the opposite end, the most telling sign that someone is refusing to grow up is that they will do anything (and I mean ANYthing) to not get a full-time job, or what we call a "real" job.

In a way, Bollywood is like these friends of mine: it keeps refusing to let its heroines (and heroes sometimes) grow up. In real life, if someone is responsible enough to keep a real job and live on their own, we also expect them to be emotionally mature. (Of course that expectation can backfire horribly, but that's for a different day to discuss.) But Bollywood, as I have discovered, doesn't like emotionally mature characters. It follows logically that they cannot have jobs (or if they do they're in the artistic realm), live on their own or make reasonable (read: mature) decisions. So... they don't.

I have already discussed in my blog that a fair percentage of the male characters have become manchildren (without actually getting to the bottom of why that is, but we might get there in this post), so it's only right to now discuss what type of female characters will suit these boys. Not surprisingly: girls! Not women. Girls. Sometimes (not very often, thankfully!) manic pixie dream girls and other times just girls in the process of growing up along with their hero. But girls nonetheless.

Look around at Bollywood movies from the past two decades: how many women can we count and how many girls? And of those women, how many are the heroine? Moreover, how many of those heroines end up with the hero? Three questions, each worth exploring in some detail.

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