As I reach the cinema, nine huge posters announce Hollywood fare and my wallet's target is nowhere to be seen. I stand in queue and ask the cashier for a ticket to watch 'Delhi Belly'. The cashier begs my pardon and for a second I ask myself if I should have pinched myself when I saw the film announced on the Internet. I repeat the name of the film and the cashier looks through the list of films currently showing before actually realizing that a film called 'Delhi Belly' is scheduled. I pay my ticket and hurry to find all seats empty, but thankfully, a few minutes later a small audience starts trickling in. We are a handful of foreigners sitting with a merry group of NRIs, carrying packaged samosas and all. The place suddenly feels like home.Rewind a couple of years earlier. Of all three films Aamir Khan and Kiran Rao's production house was preparing since 2008, 'Delhi Belly' has been the closest to my heart and the expectation to see it never waned even after a box-office smashing '3 Idiots' or a subtle 'Dhobi Ghat'. I had not seen 'Delhi Belly' but yet knew it would be my favorite film of all three. Now is the chance to see if my expectations were correct.
Sitting in that Paris cinema, the small audience gets the feeling we are members of some exclusive clique. A bunch of connoisseurs ready to savour a treat that is only meant for the duly initiated...
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