Milan Luthria pairs up with Ekta Kapoor once again and directs the sequel to his gangster hit Once Upon a Time in Mumbaai with generous and unapologetic Bollywood masala and action scene close-ups, enriching this new film with more romance than the first movie of the series.
Showing posts with label SONAKSHI SINHA. Show all posts
Showing posts with label SONAKSHI SINHA. Show all posts
Saturday, August 17, 2013
Saturday, January 5, 2013
DABANGG 2 Review: Chulbul Pandey Came and Went
Bombay moviegoer's expectations were ablaze viewing the giant posters of Bollywood’s most masalaic hero pointing a gun at cars passing by on high avenues. The sequel to one of the cinema industry’s most recent box office monuments, Dabangg, was about to conquer the Indian psyche, or so it seemed...
While I am aware of the huge following Salman Khan has among Indians and while I do believe the icon he has become can become an acquired taste for those of us who did not grow up with masala as a run-of-the-mill method of storytelling, this blogger remains nonetheless underwhelmed with the result of the sequel to a very innovative and entertaining original Dabangg.
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Thursday, May 24, 2012
GROW UP, BOLLYWOOD GIRLS!
Guest post by Dolce from the Dolce and Namak Talk Indian Movies blog
I have already discussed in my blog that a fair percentage of the male characters have become manchildren (without actually getting to the bottom of why that is, but we might get there in this post), so it's only right to now discuss what type of female characters will suit these boys. Not surprisingly: girls! Not women. Girls. Sometimes (not very often, thankfully!) manic pixie dream girls and other times just girls in the process of growing up along with their hero. But girls nonetheless.
Look around at Bollywood movies from the past two decades: how many women can we count and how many girls? And of those women, how many are the heroine? Moreover, how many of those heroines end up with the hero? Three questions, each worth exploring in some detail.
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Dolce (Italian for “sweet”) is an Eastern European movie addict (Indian movies to be precise) who has made Toronto, Canada her home over the past few years. She has an endless infectious enthusiasm for movies, songs, settings, dances, badassness and everything else that makes Indian movies a world of their own. You may visit Dolce's blog by clicking here..
One of the biggest disadvantages of having a group of friends where everyone is 3-5 years younger than you is that you're always waiting for people to grow up. You keep making excuses for them and keep saying: they'll grow up when they get a real job, they'll grow up when they find a steady girlfriend/boyfriend, they'll grow up when they move out, etc. And there is some truth to that because that is usually how people learn responsibility and maturity. In fact, on the opposite end, the most telling sign that someone is refusing to grow up is that they will do anything (and I mean ANYthing) to not get a full-time job, or what we call a "real" job.
In a way, Bollywood is like these friends of mine: it keeps refusing to let its heroines (and heroes sometimes) grow up. In real life, if someone is responsible enough to keep a real job and live on their own, we also expect them to be emotionally mature. (Of course that expectation can backfire horribly, but that's for a different day to discuss.) But Bollywood, as I have discovered, doesn't like emotionally mature characters. It follows logically that they cannot have jobs (or if they do they're in the artistic realm), live on their own or make reasonable (read: mature) decisions. So... they don't.
I have already discussed in my blog that a fair percentage of the male characters have become manchildren (without actually getting to the bottom of why that is, but we might get there in this post), so it's only right to now discuss what type of female characters will suit these boys. Not surprisingly: girls! Not women. Girls. Sometimes (not very often, thankfully!) manic pixie dream girls and other times just girls in the process of growing up along with their hero. But girls nonetheless.
Look around at Bollywood movies from the past two decades: how many women can we count and how many girls? And of those women, how many are the heroine? Moreover, how many of those heroines end up with the hero? Three questions, each worth exploring in some detail.
Read more>>
Monday, September 13, 2010
DABANGG! Vintage Masala's Resurrection!
Bollywood-born Robinhood, Chulbul Pandey (Salman Khan) is capable of crying but still masculine to the core, in true Hindi cinema style. And did anyone say 'fear'? That is certainly a concept unknown to this 'Dabangg' hero (I can still hear a trail of ladies sighing as they come out of the cinema hall).
Cop... lover... rebel Chulbul happens to lose his attachment to family in his childhood when his widowed mother, Naini (Dimple Kapadia), marries Prajapati Pandey (Vinod Khanna), with whom she has son Makhanchan (Arbaaz Khan). Chulbul will only find the worth of family ties later down the line, once he meets and decides to marry exquisite Rajo (Sonakshi Sinha). READ MORE >>
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