Showing posts with label SHAH RUKH KHAN. Show all posts
Showing posts with label SHAH RUKH KHAN. Show all posts

Wednesday, August 15, 2012

INDIA INDEPENDENCE DAY: Celebrating Cinema

Independence Day in India: AP Photo from Sulekha.com
As I wake up this 14 of August to merry music outside and talented high-pitched voices coming from a street sound system at 6am, there is no doubt. Festivities have been launched to celebrate India's independence.
Later, as the day subsides, evening streets are filled with people, honking vehicles, colored lanterns and sweet smelling flower garlands hanging from every imaginable corner and at every roundabout. The air smells of delicious fried snacks, spice, incense, smoke and excitement. Fleeting fireworks thunder here and there and the thumping of the latest movie hits sweeps through the trees. Movie soundtracks are such an integral part of the Independence Day celebration that I am compelled to draw a parallel between the nation's freedom and it's cinema's “independent” essence. Indian cinema to me has long represented that which has dared to create larger than life or over the top scenes or characters that have become legendary symbols... The temptation to do a recap of Indian cinema's unique and independent character is too pressing!


Read more>>

Friday, January 6, 2012

DON 2 - THE CHASE CONTINUES: Shah Rukh is Back!

  DON 2: The Chase Continues review by Diana (Italian Cinema Hindi Blog)
Rating: *****
Have you been on holiday and have totally relaxed? Have you been enjoying the seasonal festive banquets, oblivious to whatever is happening in other parts of the world? Or have you returned to normal daily life, becoming absorbed in the same everyday boring duties? 

In case you did not know: THE KING IS BACK. 

Drop it all and take the first plane to Mumbai, London or any other place in the civilized world (Fiji, for example!) And without stopping for food, sleep or even calling your mother to tell her you have landed safely, head to the nearest cinema to watch Don 2: The Chase Continues. You will never be the same again.
 

Wednesday, October 26, 2011

RA.ONE: The Next VFX Generation - Review




Shah Rukh Khan's dream film is finally out after much expectation this Diwali 2011.

The story of Prateek, a young boy who loves to play video games and how one of these games is brought to life is a concept that, according to director Anubhav Sinha, was born six years back when he watched a commercial that featured two children using a remote control on a human being. The original idea and Shah Rukh's dream of making a film that would cross all boundaries through the bold use of VFX resulted in developing a script about a superhero that, as Khan has explained, "saves mankind from Ra.One's (a new era Raavan) torment".

Ra.One has mainly created buzz prior to its release not only thanks to its all star cast and star cameos (Priyanka Chopra, Sanjay Dutt and none other than the legendary Rajnikanth) but also because it features visual effects and stunts that are absolutely new to Indian cinema and is an ambitious project that has seen huge collaboration between Indian and international teams. A visible example to the audience is that of the Ra.One soundtrack, which was composed by Vishal-Shekhar and includes the participation of internationally acclaimed singer Akon for two of its songs, "Chammak Chalo" and "Criminal", in accordance with a sporadic crossover musical trend in Hindi films.
Read more

Tuesday, February 16, 2010

MY NAME IS KHAN Film Review



'My Name is Khan' is Dharma Productions latest blockbuster, featuring "Shahjol", who all audiences were impatient to watch together once again. The film tells the touching story of a Muslim, Rizwan Khan (Shah Rukh Khan), who is all but a terrorist. It searches to portray his life with Hindu Mandira (Kajol) and her son Sameer. The story concentrates on the change that took place in Western mentalities regarding the Muslim community after the tragic events of 9/11.

The film's first part is enjoyable. The very beginning concentrates on Rizwan's childhood, featuring an excellent performance by Tanay Chheda. The story, plot and acting are bang on. Spectators are slowly pulled into what seems like a well worked independent film. The mood changes though as an adult Rizwan appears and the film begins to have a feel that is more characteristic of big Hindi film productions.

All in all, MNIK is a good entertainer. Shah Rukh Khan is endearing in a role in which his subdued charm plays its magic without him having to act as the conventional and flamboyant romantic hero, delivering what could be considered as his best performance since 'Chak De India!'. Kajol lights up the screen with her sunny presence. She is masterful in her role and her chemistry with her fellow lead actor is palpable.

The sole faults of MNIK if there are any to be pointed out, are that director Karan Johar had much to say and it is difficult to fit it all into one film (the Wilhemina hurricane sequences are in my honest opinion partly off the subject). It also has a certain repetitiveness and several incongruencies in its script that might keep the film from becoming an all out international entertainer, which is sad, because the message that the film carries is worthy of being heard by all audiences.

Script tightness is often a sure bet with foreign audiences. Despite having roped in Syd Field* as a screenplay consultant, the film's inconsistencies and shortcuts appear blatant. Why is the main character shown going through USA immigration if he has never left the country in search of his goal: speaking to the President of the United States? Why is Shah Rukh Khan acting mentally challenged in some sequences when he clearly only has Aspergers syndrome? Why is the passing away of one of the characters labelled as a racial crime if no racial slurs are heard when he is being agressed? Why is so much emphasis placed on the name Khan, if the name is irrelevant to anyone in America? Indeed, seldom any American would be able to make a difference between Khan and Khanna, not knowing that the first is bound to be the name of a person of Muslim confession.

To its merit, MNIK depicts Westerners in a more positive light than most Hindi films, even though it legitimately concentrates on pointing a finger at the West's darkest and most irrational fears regarding Muslim culture.

Karan Johar has been labelled as a universalist by some or as being in love with America by others. MNIK is his noble attempt to say that his love of all cultures will not keep him from expressing constructive criticism. The film is a fine entertainer, in large part due to its cast and suitable music, as well as many memorable moments in the script in which the director skillfully tugs at the heart's strings, making the audience sing, laugh or weep.

What is important to take home from the cinema hall is that all of us belong to humanity and are equal. All of us deserve love and respect. A positive moral for an endearing story.
Directed by Karan Johar

Writing credits:
Shibani Bathija (story and screenplay)
Niranjan Iyengar (dialogue)


Cast
Shahrukh Khan ... Rizwan Khan
Kajol ... Mandira
Steffany Huckaby ... Kathy Baker
Tanay Chheda ... Rizwan Khan as a child

* Syd Field is a renowned counselor in screenplay writing and has written several succesful books on the subject.
 
I would like to thank Joanna, who is a special needs specialist, for providing information on Aspergers syndrome, allowing us to understand Rizwan's character better.